The hero of the book, Charles, is a conventional nineteenth-century gentleman; the heroine Sarah, _______ by her lover, is a “fallen woman”, whom Charles tries to help.
Throughout the eighteenth century, coffee houses were once forced to close because they encouraged the free speech.
____
Since moving pictures were invented a century ago, a new way of distributing entertainment to consumers has emerged about once every generation. Each such (1)____(innovate) has changed the industry irreversibly; each has been (2) acco____ by a period of fear mixed with exhilaration. The arrival of digital technology, (3)____ translates music, pictures and text into the zeros and ones of computer language, marks one of those (4) p____.
This may sound familiar, because the digital revolution, and the explosion of choice that would go with it, has been shown for some time. In 1992, John Malone, chief executive of TCI, an American cable giant, welcomed the “500-channel universe.” Digital television was about to deliver everything (5)____ pizzas to people's living rooms. When the entertainment companies (6)____(try) out the technology, it worked fine-but not at a price that people were prepared to pay.
Those 500 channels eventually arrived but via the Internet and the PC (7)____ than through television. The digital revolution was starting to affect the entertainment business in (8)____(expect) ways. Eventually it will change every aspect of it, from the way cartoons are made to the way films are screened to the way people buy music. That much is clear. (9)____ nobody is sure of is how it will affect the economics of the business.
New technologies always contain within them both (10) th____ and opportunities. They have the potential both to make the companies in the business a great deal richer, and to sweep them away. Old companies always fear new technology.
Practice 2
The destiny of wild places in the 21 century can be read in the numbers. The pressure to exploit the world’ s remaining wilderness for natural resources, food and human habitation will become overwhelming. But bulldozers and chain saws aren’t the only threats. A new menace has emerged from the least likely quarter; in many cases, the very people who care most passionately about empty places are hastening their demise.
Backcountry activities have become extremely trendy in the U. S., a fad that has been eagerly abetted by Madison Avenue. These days it’s impossible to turn on a television or open a magazine without being assaulted by a barrage of ads that use skillfully packaged images of wilderness activities to rev the engine of consumerism. Disconcerting though this development may be, it happens to come with a substantial upside; because wilderness is now esteemed as something precious and/or fashionable, wild places are more often being rescued from commercial exploitation. But if the wilderness fad has made it easier to protect wild country from development, it has made it harder to protect wild country from the exploding ranks of wilderness enthusiasts. Increasingly, places once considered enduringly back of beyond are now crowded with solitude seekers. As wilderness dwindles and disappears, more is at stake than the fate of endangered species. Other, less tangible things stand to be lost as well. Empty places have long served as a repository for a host of complicated yearnings and desires. As an antidote to the alienation and pervasive softness that plague modern society, there is no substitute for a trip to an untrammeled patch of backcountry, with its attendant wonders, privation and physical trials.
The hero of the book, Charles, is a conventional nineteenth-century gentleman; the heroine Sarah, _______ by her lover, is a “fallen woman”, whom Charles tries to help.
In the early 19th century,New York City was()
Practice 2
Until early in this century, the isolationist tendency prevailed in American foreign policy. Then two factors projected America into world affairs: its rapidly expanding power, and the gradual collapse of the international system centered on Europe, the watershed presidencies marked this progression: Theodore Roosevelt’s and Woodrow Wilson’s. These men held the reins of government when world affairs were drawing a reluctant nation into their vortex. Both recognized that America had a crucial role to play in world affairs though they justified its emergence from isolation with opposite philosophies.
Roosevelt was a sophisticated analyst of the balance of power. He insisted on an international role for America because its national interest demanded it, and because a global balance of power was inconceivable to him without American participation. For Wilson, the justification of America’s international role was messianic: America had an obligation, not to the balance of power, but to spread its principles throughout the world. During the Wilson’s Administration, America emerged as a key player in world affairs, proclaiming principles which, while reflecting the truisms of American though, nevertheless marked a revolutionary departure for Old World diplomats. These principles held that peace depends on the spread of democracy, that states should be judged by the same ethical criteria as individuals, and that the national interest consists of adhering to a universal system of law.
Since moving pictures were invented a century ago, a new way of distributing entertainment to consumers has emerged about once every generation. Each such (1)____(innovate) has changed the industry irreversibly; each has been (2) acco____ by a period of fear mixed with exhilaration. The arrival of digital technology, (3)____ translates music, pictures and text into the zeros and ones of computer language, marks one of those (4) p____.
This may sound familiar, because the digital revolution, and the explosion of choice that would go with it, has been shown for some time. In 1992, John Malone, chief executive of TCI, an American cable giant, welcomed the “500-channel universe.” Digital television was about to deliver everything (5)____ pizzas to people's living rooms. When the entertainment companies (6)____(try) out the technology, it worked fine-but not at a price that people were prepared to pay.
Those 500 channels eventually arrived but via the Internet and the PC (7)____ than through television. The digital revolution was starting to affect the entertainment business in (8)____(expect) ways. Eventually it will change every aspect of it, from the way cartoons are made to the way films are screened to the way people buy music. That much is clear. (9)____ nobody is sure of is how it will affect the economics of the business.
New technologies always contain within them both (10) th____ and opportunities. They have the potential both to make the companies in the business a great deal richer, and to sweep them away. Old companies always fear new technology.
From the middle part to the end of the 18th century, in English literature () flourished. They were mostly stories of mystery and horror which take place in some haunted or dilapidated middle age castles.
Since moving pictures were invented a century ago, a new way of distributing entertainment to consumers has emerged about once every generation. Each such (1)____(innovate) has changed the industry irreversibly; each has been (2) acco____ by a period of fear mixed with exhilaration. The arrival of digital technology, (3)____ translates music, pictures and text into the zeros and ones of computer language, marks one of those (4) p____.
This may sound familiar, because the digital revolution, and the explosion of choice that would go with it, has been shown for some time. In 1992, John Malone, chief executive of TCI, an American cable giant, welcomed the “500-channel universe.” Digital television was about to deliver everything (5)____ pizzas to people's living rooms. When the entertainment companies (6)____(try) out the technology, it worked fine-but not at a price that people were prepared to pay.
Those 500 channels eventually arrived but via the Internet and the PC (7)____ than through television. The digital revolution was starting to affect the entertainment business in (8)____(expect) ways. Eventually it will change every aspect of it, from the way cartoons are made to the way films are screened to the way people buy music. That much is clear. (9)____ nobody is sure of is how it will affect the economics of the business.
New technologies always contain within them both (10) th____ and opportunities. They have the potential both to make the companies in the business a great deal richer, and to sweep them away. Old companies always fear new technology.